Yamaha Rivage PM7 38 Faders Digital Mixer

The RIVAGE PM7 control surface features three groups of 12 faders to which channels can be assigned as required.

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Description

Yamaha’s first professional live sound console, the PM200, was released more than 40 years ago. The PM series has provided fertile ground from which numerous sound reinforcement milestones have grown ever since. Many of those innovations have become benchmarks that professionals depend on to this day. The RIVAGE PM10 launched a new generation of PM consoles that have already become standards in large-scale live sound applications because of their unequalled sound, operation, functionality, reliability, expandability, and more. Now the RIVAGE PM7 digital mixing system expands the digital mixing options available for an even broader range of applications.

A RIVAGE PM7 system is based around the CSD-R7 Digital Mixing Console with built-in signal processing for mixing and effects. Other required components are one or more I/O racks for input and output, and a dedicated interface card for network connectivity. The RIVAGE PM7 system’s CSD-R7 Digital Mixing Console is the same size as the RIVAGE PM10 system CS-R10 Control Surface and has the same control layout. With built-in DSP it offers similarly high standards of operation and workflow efficiency in a relatively compact, portable system.

Yamaha Rivage PM7 Features

The Complete Yamaha Selected Channel Interface:
A key element of legendary Yamaha digital console operability is the Selected Channel concept, providing direct access to the parameters of any channel selected via a SEL key. The Selected Channel section of the RIVAGE PM7 inherits the full-featured configuration of the RIVAGE PM10, providing direct, fast access to all channel parameters. Encoders, buttons, and indicators in a comprehensive layout make maximum use of the available panel space for comfortable operation in any environment or mixing situation.

Touch Screen and Fader Strips Merge for Intuitive Control:
The RIVAGE PM7 control surface features three groups of 12 faders to which channels can be assigned as required. The two leftmost fader groups work with large touch panel displays in the top panel, providing an enhanced version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. The ability to manage channels in 12 channel groups provides versatility for just about any workflow.

A Monitor Section to Match Any Job:
The monitoring needs of live sound reinforcement can vary considerably from job to job, so a flexible monitor system is essential. The RIVAGE PM7 system has two monitor/cue outputs with independently adjustable output level, and up to eight combinations of monitor sources can be stored for instant recall. The monitor section also offers dedicated delays, plus eight-band parametric EQ. An insert point prior to the EQ stage allows plug-ins to be used in the monitor section as well. The carefully planned and flexible features provided in the RIVAGE PM7 monitor section make it easy to adapt to any monitoring situation.

Convenience Is in the Details:
The main encoders on the RIVAGE PM7 panel are surrounded by horseshoe shaped rings of indicators that show the current settings. The horseshoe ring shape is designed to provide optimum visibility when, for example, the encoders are viewed from below, which is often the case with the multifunction encoders at the top of the fader strips. The unique shape ensures that indicators near the 12 o’clock position are not hidden behind the encoder knob.
The fader knob shape, developed through years of designing and refining mixer interfaces, is another important feature. The fader knobs are contoured so that positive, comfortable control is possible no matter where your finger is placed on the knob. This is a feature that can only be truly appreciated through first-hand experience Overall, the console is designed with the touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. The stage and console are both within view at all times. The touch screens are also located within easy reach for effortless access.

Overlay Filter for Rapid Response to Sudden Changes:
The Overlay filter is another new feature that can notably extend the usefulness of the scene memory. This filter can be “overlaid” on a current mix to apply offsets to the fader levels and mix/matrix send levels independently from scene recall. An example of how this might be useful is when an unplanned performer change occurs, requiring adjustments the level of the corresponding channel. Using the Overlay filter it becomes possible to make a temporary, relative level change to that channel and then instantly revert to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.

Broadcast Features:
The RIVAGE PM7 supports 5.1 channel surround panning and monitoring for broadcast applications, and has two surround buses for efficient international feed production. A broadcast Mix Minus function is provided too, allowing a specified source to be removed from a specified remote feed with just a few steps.

Two Convenient Approaches to Live Recording:
Professional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM7 supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements. The 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.
Multitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a Dante Accelerator PCIe card. With Dante Virtual Soundcard the maximum in/out track count is 64. Multitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.

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