AKG D12 VR Mic Drum Instrument Dynamic Cardioid

Description

The D12 VR is a reference large-diaphragm dynamic microphone with cardioid polar pattern. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its warm sound is realized by the original C414 transformer, especially impressive at high signal levels. The D12 VR features three active filter presets to match its sound shape with the kick drum’s character. When activated, the output level is automatically reduced by 10 dB. The filter settings can be controlled using a switch on the microphone body. Without phantom power, the microphone operates in passive mode and delivers the instruments pure sound.

AKG D12 VR Active Dynamic Kick Drum Microphone Features:

• Active dynamic microphone, fine-tuned for kick drum applications
• Operates passively without phantom power
• Applying phantom power allows you to access three different filter curves
• Filter 1 adds low-frequency boost for depth and power
• Filter 2 is a midrange cut that opens up sonic room for other instruments
• Filter 3 combines the first two filters, and adds a presence boost for clarity
• C414 transformer adds sonic richness to high-level signals
• Ultra-thin diaphragm and bass-optimized capsule chamber capture huge bass tones
• Cardioid polar pattern, with up to 25dB signal rejection of off-axis sounds
• Excellent for use in both studio and live applications

Huge sound from AKG’s C414 transformer

The big, punchy bass drum sounds you’ll record with the AKG D12 VR come courtesy of AKG’s original C414 transformer. When you hit this transformer with high signal levels (like the ones your kick drum puts out), the C414 transformer adds a character that’s undeniably sweet.

Three active filter modes

You can coax four distinct kick drum sounds out of the D12 VR, making it perfect for any recording studio or live sound application. Without phantom power, the tone is the pure, uncolored signal of your kick drum. But apply phantom power to the D12 VR, and you get access to three active filters. The first filter adds a low-end boost that beefs up your sound. The second filter provides a midrange cut, making room for other instruments in a busy mix. And the third filter actually combines the first two along with a high-end boost that enhances presence and snap.

Tailor-made for kick drums – and hand grenades

The ultra-thin diaphragm on the D12 VR clearly captures the complex low frequencies of your bass drum without sounding muddy or boomy – and it can handle an ear-shattering 164dB SPL. So whether your drummer is a Yeti with a 28″ bass drum, or you’re recording sound effects involving small-arms fire, the D12 VR can handle the high signal levels and it sounds great doing it.

What’s in the box

• 1 x D12 VR Microphone
• 1 x Microphone Bag